Production Values — What Seven Adobe Tools Do in the Cloud With No One at the Keyboard

Creative Automation With Adobe's Cloud Services: How Firefly Services, InDesign and Premiere run image and video production at scale without manual steps

Max Dunn has automated Adobe technology since founding Silicon Publishing in 2000, and his team of more than 20 includes engineers who built InDesign itself. Most companies picture generative AI as a person at a screen typing prompts, when the work at scale runs the other way: jobs go into Firefly Services, Photoshop, InDesign, Express, Frame.io, Premiere and After Effects through the cloud, and finished assets come back without anyone opening an application. He walks through the mechanics of that pipeline: where the data comes from, what the machine decides against what a person still approves, and which jobs break as volume climbs. Listeners leave able to tell which of their own creative work is a candidate for this, and which still needs hands on it.

About Max Dunn

Max Dunn, podcast guest

President

Since 2000 Co-founded and leads Silicon PublishingBertelsmann Former Director of Software DevelopmentAdobe Publishing automation partner since the 1990sInDesign User Group speaker on automation and AI

Since August 2000 I have run one company on one platform, which is the opposite of the advice most founders are given.

I co-founded Silicon Publishing with Alissa Whitney, now our CTO. There were two of us. We are over twenty now, and in all that time we have never moved to a second platform: everything we build automates Adobe technology. The conventional warning is never to tie your business to another company's software, because the vendor can change its pricing, its direction or its whole product line without asking you. I took the opposite bet and went deeper, and I can say what a quarter of a century on someone else's platform actually demands of you.

Before that I was a software engineer at Bertelsmann in the 1990s, building early systems that combined automated pre-press and database publishing with workflow management. I have worked in publishing automation since the mid-1990s, which means I watched the last great upheaval in this industry from the inside, back when layouts were still assembled by hand. It is the closest thing we have to a rehearsal for what AI is doing to creative work now, and I am candid about what that earlier shift cost and who it passed over.

The part of the business I am proudest of is the bench.

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